Spartiti

Originale

Sancta Maria non est tibi similis. Anonymous. A cappella. Sacred , Antiphon. Language. Latin. ATT.

Traduzione

Sancta Maria non est tibi similis. Anonimo. A Cappella. Sacred, Antifona. Lingua. Latin. ATT.

Originale

Transcribed from the Trent manuscripts tr87 and tr92. The time signatures, notes' values accidentals and colourings are as in the manuscript. The initial time signature is missing in all the voices, the “tempus perfectum diminutum” has been assumed from the context and the perfect breves, the perfect brevis rests and the imperfect longæ are dotted. In the second part the Tenor’s notes values are halved so that the time signature of the Superius and the Contratenor should be the “tempus imperfectum diminutum”. The coloured notes are either hemiolæ or in “proportio sesquialtera”. 3 vs. The notes' values within the "ligaturæ" are as follows. the left upstemmed notes are semibreves - the unstemmed notes are breves - the right downstemmed notes are longæ. The “musica ficta” suggestions are in the MIDI and the MusicXML files.

Traduzione

Transcribed from the Trent manuscripts tr87 and tr92. Le indicazioni di tempo, note 'valori alterazioni e coloranti sono nel manoscritto. The initial time signature is missing in all the voices, the “tempus perfectum diminutum” has been assumed from the context and the perfect breves, the perfect brevis rests and the imperfect longæ are dotted. In the second part the Tenor’s notes values are halved so that the time signature of the Superius and the Contratenor should be the “tempus imperfectum diminutum”. Le note di colore sono o hemiolæ o in "proportio sesquialtera". 3 vs. I valori di note "ai" ligaturæ "sono le seguenti. le note di sinistra upstemmed sono semibrevi - le note unstemmed sono Breves - il diritto downstemmed note sono Longae. I "Musica Ficta" suggerimenti sono nel file MusicXML MIDI e.