Strumenti
Ensembli
Opera
Compositori
Esecutori

Spartiti $29.95

Originale

Dark Matter. Double Bass sheet music. Flute sheet music.

Traduzione

Materia Oscura. Double Bass spartiti. Flauto spartiti.

Originale

Dark Matter composed by Keiron Anderson. For flute choir. piccolo, 2 flutes, flute or alto flute, bass flute, contrabass flute. Score and Parts. Published by Forton Music. FT.FM380. ISBN 979-0-57048-279-5. Dark Matter - Flute Ensemble. Piccolo, 2 flutes, flute or alto flute, Alto flute, Bass Flute, Contrabass Flute. One of the mysteries of the universe, dark matter is a fascinating concept. To describe it in music I used a combination of minor canons accompanied by a series of contrasting scales which are often octatonic although not exclusively so. This scale some produces surprisingly powerful notes as the shift of a semitone lifts the music through tonal shifts. The central section uses the scale in harmonic progressions that follow a fairly simple melodic idea which takes the listener on a journey into the unknown whilst remaining accessible and memorable. The work leaves the dark matter out there and confirms its existance without making any assumptions or answering any questions. This should be a different voice in a concert, thought provoking and atmospheric without being overly chromatic or challenging.

Traduzione

Dark Matter composed by Keiron Anderson. Per flauto coro. piccolo, 2 flutes, flute or alto flute, bass flute, contrabass flute. Score and Parts. Pubblicato da Forton Musica. FT.FM380. ISBN 979-0-57048-279-5. Dark Matter - Flute Ensemble. Piccolo, 2 flutes, flute or alto flute, Alto flute, Bass Flute, Contrabass Flute. One of the mysteries of the universe, dark matter is a fascinating concept. Per descrivere in musica ho usato una combinazione di canoni minori accompagnati da una serie di scale contrastanti che spesso octatonic anche se non esclusivamente così. This scale some produces surprisingly powerful notes as the shift of a semitone lifts the music through tonal shifts. La sezione centrale utilizza la scala in progressioni armoniche che seguono un abbastanza semplice idea melodica che prende l'ascoltatore in un viaggio verso l'ignoto, pur rimanendo accessibili e memorabile. Il lavoro lascia la materia oscura là fuori e conferma la sua esistenza senza fare alcuna ipotesi o rispondere a qualsiasi domanda. Questa dovrebbe essere una voce diversa in un concerto, stimolante e ricco di atmosfera senza essere troppo cromatica o impegnativo.