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Originale

Chorale and Mystic Chant. Timothy Loest. Beginning.

Traduzione

Chorale and Mystic Chant. Timothy Loest. Inizio.

Originale

Chorale and Mystic Chant composed by Timothy Loest. For concert band. Concert Band. FJH Beginning Band. Score only. Full set. score and parts. also available. B1236. Grade 1. Score only. Duration 2 minutes, 35 seconds. Published by The FJH Music Company Inc. FJ.B1236S. A beautiful hymn with rich harmonies and suspensions opens this fine work for beginning bands. As the lyrical melody reaches a final cadence, the piece then moves into a bombastic chant with a wealth of percussion. The theme is presented in different textures and students will explore the basic components of a fugue in an easy setting. Listeners and performers alike will be excited by the rhythmic drive of the percussion. In addition, consider using the opening as a daily chorale to work on intonation with your ensemble. Appropriate within the first year of instruction and beginning of the second year. Clarinets do not go above the break, and there is limited use of accidentals. Plenty of doublings in the lower voices. Grade 1.

Traduzione

Chorale and Mystic Chant composed by Timothy Loest. Per il concerto bandistico. Concert Band. FJH Banda Inizio. Solo partitura. Set completo. score and parts. anche disponibili. B1236. Grade 1. Solo partitura. Durata 2 minuti, 35 secondi. Pubblicato da La FJH Music Company Inc. FJ.B1236S. A beautiful hymn with rich harmonies and suspensions opens this fine work for beginning bands. As the lyrical melody reaches a final cadence, the piece then moves into a bombastic chant with a wealth of percussion. The theme is presented in different textures and students will explore the basic components of a fugue in an easy setting. Listeners and performers alike will be excited by the rhythmic drive of the percussion. In addition, consider using the opening as a daily chorale to work on intonation with your ensemble. Adeguato entro il primo anno di insegnamento e l'inizio del secondo anno. Clarinetti non vanno al di sopra della pausa, e vi è un uso limitato di alterazioni. Un sacco di raddoppi nelle voci basse. Grade 1.