Spartiti $65.00

Originale

The One I Love Belongs to Somebody Else. Guitar sheet music. B-Flat Trumpet sheet music. Drums sheet music. Percussion sheet music. Piano sheet music. Trombone sheet music. Advanced.

Traduzione

The One I Love Belongs to Somebody Else. Spartiti per chitarra. B-Flat Trumpet spartiti. Foglio di Drums musica. Foglio di musica Percussion. Spartiti pianoforte. Trombone spartiti. Avanzato.

Originale

The One I Love Belongs to Somebody Else by The Jimmie Lunceford Big Band. Edited by Jeffrey Sultanof and Rob Duboff. Arranged by Tadd Dameron. For big band. 2 Alto Saxophones, 2 Tenor Saxophones, Baritone Saxophone, 3 Trumpets, 3 Trombones, Guitar, Piano, Bass, Drums. Written for the Jimmie Lunceford Orchestra. Swing. Medium Difficult. Score and parts. Published by Jazz Lines Publications. JL.JLP-8883. Tadd Dameron was one of the most influential composer. arrangers in American music. Born in 1917, he wrote for bands led by Jimmie Lunceford, Count Basie, Billy Eckstine. many original compositions later performed by the Dizzy Gillespie Orchestra were originally written for Eckstine. , Ted Heath and Tommy Dorsey. He also arranged for Sarah Vaughan, Pearl Bailey and the underrated Kay Penton. Dameron led various groups for live gigs and recordings, and the musicians he played with constituted a who's who of jazz. At one time or another his ensembles included Fats Navarro, Freddie Webster, Charlie Rouse, Kenny Clarke, Kai Winding, Wardell Gray, J.J. Johnson, Dexter Gordon, Miles Davis, Kenny Dorham, John Coltrane and Clifford Brown. This arrangement of the Isham Jones. Gus Kahn standard was most likely written in 1942 as at that time Tadd Dameron was writing for the Jimmie Lunceford Orchestra. The arrangement was never recorded, but, due to the wear on the parts, it was clearly performed live on numerous occasions. It is not entirely clear as to why the arrangement wasn't recorded, though it is possible that the reason is that it was written during the recording ban. The next time the Lunceford ensemble would be in the studio for a recording date wasn't until February 1944 - almost two years after this arrangement was most likely written. Dameron crafted a swinging, interesting take on the standard. The trombone section states the melody for the first chorus with nice ensemble hits and backgrounds. The arrangement moves through three key centers. G, Eb, and Gb. While there are no lengthy solos. tenor sax has a 4-bar cameo solo. , there is a great 1. 2 chorus saxophone soli. This arrangement should appeal to medium level groups as the ranges are modest. Ranges. Trumpet 1. to C6. Trombone 1.

Traduzione

The One I Love Belongs to Somebody Else by The Jimmie Lunceford Big Band. A cura di Jeffrey Sultanof e Rob Duboff. Organizzato da Tadd Dameron. Per Big Band. 2 Alto Sassofoni, 2 Sassofoni Tenore, Baritono, 3 trombe, 3 tromboni, chitarra, pianoforte, basso, batteria. Written for the Jimmie Lunceford Orchestra. Altalena. Medio Difficile. Partitura e parti. Pubblicato da Jazz Lines pubblicazioni. JL.JLP-8883. Tadd Dameron era uno del compositore più influente. arrangiatori di musica americana. Nato nel 1917, ha scritto per le bande guidati da Jimmie Lunceford, Count Basie, Billy Eckstine. molte composizioni originali in seguito eseguiti dal Dizzy Gillespie Orchestra sono stati originariamente scritti per Eckstine. , Ted Heath e Tommy Dorsey. Ha anche organizzato per Sarah Vaughan, Pearl Bailey e il sottovalutato Kay Penton. Dameron ha portato vari gruppi per concerti dal vivo e registrazioni, ed i musicisti ha giocato con costituiva un chi è chi del jazz. In un momento o in un altro dei suoi ensemble inclusi Fats Navarro, Freddie Webster, Charlie Rouse, Kenny Clarke, Kai Winding, Wardell Gray, JJ Johnson, Dexter Gordon, Miles Davis, Kenny Dorham, John Coltrane e Clifford Brown. This arrangement of the Isham Jones. Gus Kahn standard was most likely written in 1942 as at that time Tadd Dameron was writing for the Jimmie Lunceford Orchestra. The arrangement was never recorded, but, due to the wear on the parts, it was clearly performed live on numerous occasions. It is not entirely clear as to why the arrangement wasn't recorded, though it is possible that the reason is that it was written during the recording ban. The next time the Lunceford ensemble would be in the studio for a recording date wasn't until February 1944 - almost two years after this arrangement was most likely written. Dameron crafted a swinging, interesting take on the standard. The trombone section states the melody for the first chorus with nice ensemble hits and backgrounds. The arrangement moves through three key centers. G, Eb, and Gb. While there are no lengthy solos. tenor sax has a 4-bar cameo solo. , there is a great 1. 2 chorus saxophone soli. This arrangement should appeal to medium level groups as the ranges are modest. Intervalli. Tromba 1. a C6. Trombone 1.