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Originale

Le nozze di Figaro KV 492. Wolfgang Amadeus Mozart.

Traduzione

Le nozze di Figaro KV 492. Wolfgang Amadeus Mozart.

Originale

Le nozze di Figaro KV 492. Die Hochzeit des Figaro. Composed by Wolfgang Amadeus Mozart. 1756-1791. Edited by Kurt Pahlen. This edition. SEM 8007. 6th edition, 2005. Books. Librettos. Operas of the world. Text. libretto. Text language. Italian - German. 345 pages. Duration 180 minutes. Published by Schott Music. SD.49041675. ISBN 9783254080073. With Text language. Italian - German. La folle journee ou La mariage de Figaro' is the title of a stage play by Pierre Augustin Caron, called Beaumarchais, which caused a sensation in Paris at the beginning of the 1780s. In this 'sequel' of 'The Barber of Seville', Beaumarchais zeroed in on numerous deplorable circumstances in absolutist France. Admittedly, Mozart's librettist Lorenzo Da Ponte could not adopt the subject matter for an opera that was to be performed at a house under the control of the Austrian Emperor with all its acerbity, but he managed to write a sparkling libretto which was crested by Mozart's incomparable music. Apart from the libretto, this edition contains introductory commentaries of Kurt Pahlen who also adds information on the compositional structure and context to the musical as well as external and internal dramatic action of the opera. A short synopsis and a brief outline of the genesis bring the work into relation with the composer's entire oeuvre and life, thus offering a comprehensive, richly illustrated introduction.

Traduzione

Le nozze di Figaro KV 492. Le nozze di Figaro. Composta da Wolfgang Amadeus Mozart. 1756-1791. A cura di Kurt Pahlen. Questa edizione. SEM 8007. 6th edition, 2005. Libri. Libretti. Opere del mondo. Testo. libretto. Lingua del testo. Italiano - Tedesco. 345 pagine. Durata 180 minuti. Pubblicato da Schott Music. SD.49041675. ISBN 9783254080073. Con Text language. Italiano - Tedesco. La folle journee ou La mariage de Figaro' is the title of a stage play by Pierre Augustin Caron, called Beaumarchais, which caused a sensation in Paris at the beginning of the 1780s. In this 'sequel' of 'The Barber of Seville', Beaumarchais zeroed in on numerous deplorable circumstances in absolutist France. Admittedly, Mozart's librettist Lorenzo Da Ponte could not adopt the subject matter for an opera that was to be performed at a house under the control of the Austrian Emperor with all its acerbity, but he managed to write a sparkling libretto which was crested by Mozart's incomparable music. Oltre al libretto, questa edizione contiene commenti introduttivi di Kurt Pahlen, che aggiunge anche informazioni sulla struttura compositiva e il contesto per il musical così come esterni e azione drammatica interna dell'opera. Una breve sinossi e una breve descrizione della genesi portare il lavoro in relazione con tutta l'opera e la vita del compositore, offrendo così un approccio globale, introduzione riccamente illustrato.