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Originale

Gabriel Fauré. Les Djinns, Op. 12 for Choir and Piano. Sheet Music. Piano, Voice, 4-Part. PF. VCE. 4PART. Gabriel Fauré.

Traduzione

Gabriel Fauré. Les Djinns, Op. 12 per coro e pianoforte. Sheet Music. Piano, Voice, 4-Part. PF. VCE. 4PART. Gabriel Fauré.

Originale

Being such a prolific composer, particularly for Vocal and Piano works, Gabriel Fauré 's music is always addressed with high expectations. His Les Djinns for SATB choir and Piano is no exception. Fauré. 1845-1924. began receiving high quality musical instruction from age 10 at the Niedermeyer School. He eventually became a piano pupil of Camille Saint-Saëns. Fauré 's career saw him succeed Théodore Dubois as organist at the Church of Madeleine in Paris and become professor of composition at the Paris Conservatoire, all the while composing sublime works. Les Djinns was written towards the beginning of the composer's career and is based on the poem of the same name by Victor Hugo. The poem depicts the sounds of the night. Each stanza becomes gradually longer as the text climaxes, and shortens again with the anticlimax, creating an arch form. Fauré mimics this in his music through use of structure, dynamics and the texture of the Piano accompaniment. With Fauré 's music remaining hugely popular to this day, Les Djinns is a favourite for the choral repertoire.

Traduzione

Essendo un compositore tale prolifico, in particolare per canto e pianoforte dei lavori, la musica di Gabriel Fauré s 'è sempre affrontata con grandi aspettative. His Les Djinns for SATB choir and Piano is no exception. Fauré. 1845-1924. iniziato a ricevere istruzione musicale di alta qualità da 10 anni presso la Scuola Niedermeyer. Egli divenne allievo di pianoforte di Camille Saint-Saëns. Carriera Fauré s 'ha visto riuscire Théodore Dubois come organista presso la Chiesa della Madeleine a Parigi e diventare professore di composizione al Conservatorio di Parigi, per tutto il tempo la composizione opere sublimi. Les Djinns was written towards the beginning of the composer's career and is based on the poem of the same name by Victor Hugo. The poem depicts the sounds of the night. Each stanza becomes gradually longer as the text climaxes, and shortens again with the anticlimax, creating an arch form. Fauré mimics this in his music through use of structure, dynamics and the texture of the Piano accompaniment. With Fauré 's music remaining hugely popular to this day, Les Djinns is a favourite for the choral repertoire.