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Originale

Tarik O'Regan. Two Emily Dickinson Settings. Sheet Music. Soprano. Tenor. SATB. SOP. TEN. SATB. Tarik O'Regan.

Traduzione

Tarik O'Regan. Due impostazioni Emily Dickinson. Sheet Music. Soprano. Tenore. SATB. SOP. TEN. SATB. Tarik O'Regan.

Originale

Written for Soprano and Tenor soloists and SATB chours. These two short Emily Dickinson. 1830-1886. settings, commissioned by Craig Hella Johnson and Conspirare for their September 2007 concert series in Texas, were designed to frame an evening’s programme rather like a compositional ‘inhalation’ and ‘exhalation’, a crescendo and decrescendo or a prelude and postlude. Densely textured, the music aims to hint at the myriad readings Dickinson’s surface-simple poetry yields in its many readers. Each setting uses a solo soprano and tenor, their voices referencing the polarities inherent in each poem. ‘sun’ and ‘shade’. ‘love and hate’.

Traduzione

Written for Soprano and Tenor soloists and SATB chours. Questi due brevi Emily Dickinson. 1830-1886. settings, commissioned by Craig Hella Johnson and Conspirare for their September 2007 concert series in Texas, were designed to frame an evening’s programme rather like a compositional ‘inhalation’ and ‘exhalation’, a crescendo and decrescendo or a prelude and postlude. Densely textured, the music aims to hint at the myriad readings Dickinson’s surface-simple poetry yields in its many readers. Ogni impostazione utilizza un soprano solista e tenore, le loro voci fanno riferimento le polarità insiti in ogni poesia. ‘sun’ and ‘shade’. ‘love and hate’.