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Originale

Ernesto Nazareth Guitar Solo Anthology. Sheet Music. Guitar. GTR.

Traduzione

Ernesto Nazareth Guitar Solo Anthology. Sheet Music. Chitarra. GTR.

Originale

A collection of 28 Ernesto Nazareth compositions expertly transcribed for classic guitar solo. One of the major difficulties in trying to arrange Ernesto Nazareth’s themes for any instrument, but the piano, is to separate the melodic line from its accompaniment. both are so closely together. that is one of the strongest characteristics of his pianistic style of composition. that it becomes almost impossible to treat one of the features disregarding the other. If one did that the result would be only a pale and incomplete portrait of what was intended by the composer. That thought has guided us in the making of this book. In spite of the huge obstacles that resulted from the transposition of a piece originally written for the piano – a very rich instrument regarding the expressive recourses – to the more "modest" guitar, we always kept in mind our principal intention. to preserve at the most all the melodic dialogues of the scores, in special the ones between the melody and the bass line, both the elements that form the soul of Nazareth’s compositions. We obviously had to do some changes. Thus, for instance, in some arrangements it was necessary to transpose the original key to a more appropriate one. at the guitar view-point, of course. Some phrases or fragments had also to be written an octave higher or lower. that can be perfectly understandable if we consider the very wide melodic range of the piano and the extensive way with which Nazareth uses it. Needless to say that all those recourses were used only when it has been strictly necessary. Despite the fact that those 28 pieces are only a little portion of Nazareth’s work, this group of arrangements represents a good and representative panel. Among them there are some of Nazareth’s greatest hits. "Apanhei-te Cavaquinho", "Odeon", "Brejeiro", "Ameno Resedá", etc. as well as other not so known compositions– but no less beautiful and important. Listening to those pieces one can observe the compositional talent of Nazareth and his incredible harmonic, melodic and – specially – rhythmic versatility. Each of them has its own and unmistakable personality. The most part of the scores of this book – as well as in Nazarethian repertoire – is composed by tangos brasileiros. , Brazilian tangos. , but there are also some polcas and some of his most expressive valsas, like "Confidências" and "Coração que Sente".

Traduzione

Una raccolta di 28 composizioni Ernesto Nazareth sapientemente trascritte per chitarra classica solista. One of the major difficulties in trying to arrange Ernesto Nazareth’s themes for any instrument, but the piano, is to separate the melodic line from its accompaniment. entrambi sono così strettamente insieme. che è uno dei più forti caratteristiche del suo stile pianistico di composizione. che diventa quasi impossibile trattare una delle caratteristiche trascurando l'altra. If one did that the result would be only a pale and incomplete portrait of what was intended by the composer. Questo pensiero ci ha guidato nella realizzazione di questo libro. In spite of the huge obstacles that resulted from the transposition of a piece originally written for the piano – a very rich instrument regarding the expressive recourses – to the more "modest" guitar, we always kept in mind our principal intention. to preserve at the most all the melodic dialogues of the scores, in special the ones between the melody and the bass line, both the elements that form the soul of Nazareth’s compositions. Abbiamo ovviamente dovuto fare alcune modifiche. Così, ad esempio, in alcuni arrangiamenti era necessario recepire la chiave originale ad uno più appropriato. Allo chitarra punto di vista, naturalmente. Alcune frasi o frammenti doveva anche essere scritta un'ottava superiore o inferiore. che può essere perfettamente comprensibile se si considera la vasta gamma melodico del pianoforte e del modo esteso con cui Nazaret usa. Inutile dire che tutti questi ricorsi sono stati utilizzati solo quando è stato strettamente necessario. Despite the fact that those 28 pieces are only a little portion of Nazareth’s work, this group of arrangements represents a good and representative panel. Among them there are some of Nazareth’s greatest hits. "Apanhei-te Cavaquinho", "Odeon", "Brejeiro", "Ameno Resedá", etc. as well as other not so known compositions– but no less beautiful and important. Listening to those pieces one can observe the compositional talent of Nazareth and his incredible harmonic, melodic and – specially – rhythmic versatility. Ognuno di loro ha una propria e inconfondibile personalità. The most part of the scores of this book – as well as in Nazarethian repertoire – is composed by tangos brasileiros. , Tanghi brasiliani. , but there are also some polcas and some of his most expressive valsas, like "Confidências" and "Coração que Sente".