English Suite No.3 in G minor, BWV 808 (Bach, Johann Sebastian)

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Sheet Music

Scores

Complete

Editor Ernst Naumann (1832–1910)
Publisher. Info. Bach-Gesellschaft Ausgabe, Band 45.1 (pp.30-40)
Leipzig: Breitkopf und Härtel, 1895. Plate B.W. XLV(1).
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Misc. Notes Corrected version of the edition in Band 13.2
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Editor Albert Schweitzer (1875–1965)
Publisher. Info. Klassiker der Tonkunst, Bd.1 (pp.210-23)
Wien: Universal Edition, 1912. Plate U.E. 3920.
Copyright
Misc. Notes This file is part of the Sibley Mirroring Project.
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Editor Rudolf Steglich (1886–1976)
Publisher. Info. Munich: G. Henle Verlag, 1971. Plate HN 1102.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Misc. Notes Scanned at 600 dpi. Page size is 31 cm × 23.5 cm.
Link to this edition on Henle's website, where Henle has put links to the preface (including an explanation of ornamentation) and the critical commentary.
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PDF scanned by Sallen112
Sallen112 (2024/1/2)

Editor Alfred Dürr (1918–2011)
Publisher. Info. Neue Bach-Ausgabe, Serie V, Band 7 (pp.38-53)
Kassel: Bärenreiter Verlag, 1979. Plate BA 5052.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Misc. Notes 600 dpi. Page size is 10.00 x 12.688 inches.
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PDF scanned by Sahuhtala
Sahuhtala (2024/6/1)

Editor Tamás Zászkaliczky (b. 1943)
Publisher. Info. Budapest: Könemann Music, 1995. Plate K 111.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Misc. Notes 600 dpi. Page size A4 (210 × 297mm). Urtext edition.
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Gigue (No.7)

Editor Moritz Moszkowski (1854–1925)
Publisher. Info. Anthology of German Piano Music, Vol. I (pp.57-59)
Boston: Oliver Ditson Co., 1914. Plate ML-2220-3.
Copyright
Misc. Notes This file is part of the Sibley Mirroring Project.
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Arrangements and Transcriptions

Complete

For Orchestra (Schneider)

8 more: Oboe • Oboe d'amore • Bassoon • Trumpet 1, 2, 3, Timpani • Violin 1 solo and Violins I in ripieno • Violin 2 solo and Violins II in ripieno • Violas in ripieno • Cello solo and Cellos/Basses in ripieno

Arranger Thomas A. Schneider
Publisher. Info. Thomas A. Schneider
Copyright
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For 2 Oboes, 2 Clarinets, Bassoon, Contrabassoon and 2 Horns (Clarke)

8 more: Oboe 1 • Oboe 2 • Clarinet 1 (B♭) • Clarinet 2 (B♭) • Bassoon • Contrabassoon • Horn 1 (F) • Horn 2 (F)

Arranger John Clarke (b. 1951)
Publisher. Info. John Clarke
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For Violin and Cello (Nakamura)
Arranger Jin Nakamura (b. 1995)
Publisher. Info. Jin Nakamura, 2021.
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Selections

For Orchestra (Raff)

12 more: Flute 1, 2 • Oboe 1, 2 • Clarinet 1, 2 (B♭) • Bassoon 1, 2 • Horn 1, 2 (F) • Trumpet 1, 2 (F) • Timpani • Violins I • Violins II • Violas • Cellos • Basses

Arranger Joachim Raff (1822–1882)
Editor Max Erdmannsdörfer (1848–1905)
Publisher. Info. Berlin: Ries & Erler, n.d.
Reprinted Miami: Edwin F. Kalmus, n.d.(1971-87). Catalog A5891.
Copyright
Misc. Notes Handwritten Engraving
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For 2 Flutes or 2 Harmonicas (Marcoux)

5 more: 2. Allemande - Part 1, 2 • 3. Courante - Part 1, 2 • 4. Sarabande - Part 1, 2 • 6-7. Gavotte/Gigue - Part 1 • 6-7. Gavotte/Gigue - Part 2

Arranger Jean-François Marcoux (b. 1966)
Publisher. Info. Jean-François Marcoux
Copyright
Misc. Notes This arrangement initially for 2 chromatic harmonicas but can also played on flutes, or 2 of same instrument (clarinet, violin, etc.)
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Selections (Nos.4, 5-6)

For Violin and Piano (Wilhelmj)

Selections (Nos.5-6)

For 3 Violins, Viola, Cello, and Double Bass (Dasch)

7 more: Violin A • Violin B • Violin C • Viola • Violin D (opt.) • Cello • Double Bass

Arranger George Dasch (1877–1955)
Publisher. Info. Chicago: H.T. FitzSimons Co., 1934.
Copyright
Misc. Notes String orchestra arrangement of the Gavotte and Musette from the Third English Suite.
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For 3 Treble Recorders
Editor Jürgen Knuth
Publisher. Info. Altena: Jürgen Knuth
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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For Violin and Piano (Wilhelmj)
For Violin and Guitar (Marcoux)
Arranger Jean-François Marcoux (b. 1966)
Publisher. Info. Jean-François Marcoux
Copyright
Misc. Notes this is the same melody of Bach suite, and this is a reharmonized chords for guitar in US notation
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For Cello and Piano (Vogel and Guérout)
Arranger Charles Vogel (1808–1892)
Henri Guérout (1822–1913)
Publisher. Info. Le Concert au Salon, Vol.1 (No.1)
Braunschweig: Henry Litolff's Verlag, n.d. Plate 10103.B.
Copyright
Misc. Notes This file is part of the Sibley Mirroring Project.
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For Organ (Best)
Arranger William Thomas Best (1826–1897)
Publisher. Info. Arrangements from the Scores of the Great Masters, Vol.4 (pp.1010-11)
London: Novello, Ewer & Co., n.d. Plate 2229.
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For Organ (Gouin)
Arranger Pierre Gouin - Contact
Publisher. Info. Montréal: Les Éditions Outremontaises, 2009.
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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For Piano
Arranger Unidentified
Publisher. Info. Paris: Boieldieu jeune, n.d.(before 1824).
Copyright
Misc. Notes Grand Magasins du Louvre
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Prélude (No.1)

For Orchestra (Reger)
See: Suite in G minor (No.1)
For 2 Violins, Viola and Cello (Ossan Quartet)
Arranger Ossan Quartet
Publisher. Info. Ossan Quartet
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Sarabande (No.4)

For Violin and Piano (Saint-Saëns)
Arranger Camille Saint-Saëns (1835–1921)
Publisher. Info. Paris: Durand & Schoenewerk, n.d.(ca.1889). Plate D.S. 4123.
Copyright
Misc. Notes Color Scan
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For Violin and Piano (Wilhelmj)

General Information

Work Title English Suite No.3
Alternative. Title
Composer Bach, Johann Sebastian
Opus/Catalogue NumberOp./Cat. No. BWV 808 ; BC L 15
Internal Reference NumberInternal Ref. No. IJB 115
Key G minor
Movements/SectionsMov'ts/Sec's 7 movements:
1. Prélude (209 bars)
2. Allemande (24 bars)
3. Courante (32 bars)
4. Sarabande (24 bars)
4a. Les agréments de la même Sarabande (24 bars)
5. Gavotte alternativement (34 bars)
6. Gavotte II ou la Musette (16 bars)
7. Gigue (44 bars)
Year/Date of CompositionY/D of Comp. 1715-20
First Publication. 1805-13 in 6 English Suites (No.3)
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation keyboard (harpsichord or clavichord)
Manuscript Sources Bach Digital (source list)
External Links Wikipedia article (6 English Suites)
All Music Guide

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See Also
List of Intermediate Piano Repertoire
Keyboard Works by Johann Sebastian Bach
French Overture, BWV 831
Italian Concerto, BWV 971