La traviata (Verdi, Giuseppe)

Movements/SectionsMov'ts/Sec's 3 acts
Composition Year 1853, revised 1854, 1864
Genre Categories Operas; Theatrical Works; For voices, mixed chorus, orchestra; [46 more...]Scores featuring the voice; Scores featuring mixed chorus; Scores featuring the orchestra; For voices and chorus with orchestra; Italian language; For orchestra (arr); For voices, flute, oboe, clarinet, bassoon, horn, percussion, 2 violins, viola, cello, double bass, piano (arr); Scores featuring the voice (arr); Scores featuring the flute (arr); Scores featuring the oboe (arr); Scores featuring the clarinet (arr); Scores featuring the bassoon (arr); Scores featuring the horn (arr); Scores featuring percussion soloists (arr); Scores featuring the violin (arr); Scores featuring the viola (arr); Scores featuring the cello (arr); Scores featuring the double bass (arr); Scores featuring the piano (arr); For voices with solo instruments (arr); For strings (arr); Scores featuring string ensemble (arr); For voice, flute, oboe, clarinet, bassoon, horn (arr); Scores featuring the soprano voice (arr); For guitar (arr); For 1 player (arr); Scores featuring the guitar (arr); for voices and chamber ensemble (arr); for soprano, tenor and wind band (arr); For 2 violins (arr); For 2 players (arr); For piano 4 hands (arr); Scores featuring the piano 4 hands (arr); For violin (arr); For piano (arr); For horn, trumpet, euphonium (arr); Scores featuring the trumpet (arr); Scores featuring the euphonium (arr); For 3 players (arr); For wind band (arr); For orchestra without strings (arr); Scores featuring wind band (arr); For 12 cellos (arr); For 12 players (arr); For cello, piano (arr); For 2 guitars (arr)
Related Works Pieces based on 'La traviata'

Contents

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Performances [show]

Sheet Music

Full Scores

Complete

 Complete Score
#514870 - 33.03MB, 425 pp. -  6.0322580645161/10 2 4 6 8 10 (62) - V/V/V - 4060×⇩ - Madcapellan

PDF scanned by Madcapellan
Madcapellan (2011/8/17)

Language Italian
Publisher. Info. Milan: G. Ricordi & C., 1914. Plate 113958 (P.R. 157).
Reprinted Mineola: Dover Publications, 1990.
Copyright
Public Domain
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Selections

 Offstage Band Score
#296459 - 4.57MB, 38 pp. -  6.4705882352941/10 2 4 6 8 10 (17) - V/V/V - 6544×⇩ - Wtodd

PDF scanned by Unknown
Wtodd (2013/9/18)

Publisher. Info. Milan: G. Ricordi & C., 1914.
Reprinted Miami: Edwin F. Kalmus, n.d.(1971-87). Catalog A2341.
Copyright
Public Domain
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Libiamo ne' lieti calici (Brindisi) (Act I, No.3)

 Complete Score (EU)
#907385 - 2.21MB, 21 pp. -  0/10 2 4 6 8 10 (0) - C*/N*/V* - 3861×⇩ - Feduol

PDF scanned by Unknown
Feduol (2024/4/1)

Editor John Rutter (b. 1945)
Publisher. Info. Oxford Choral Classics: Opera Choruses, No.22
London: Oxford University Press, 1995.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

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Copyright
Public Domain - See notes on copyright status for urtext editions
Misc. Notes This file does not include the editor's translation of the lyrics.
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Di Madride noi siam mattadori (Act II, No.13)

 Complete Score (EU)
#907420 - 2.48MB, 22 pp. -  0/10 2 4 6 8 10 (0) - C*/N*/V* - 853×⇩ - Feduol

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Feduol (2024/4/1)

Editor John Rutter (b. 1945)
Publisher. Info. Oxford Choral Classics: Opera Choruses, No.25
London: Oxford University Press, 1995.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Public Domain - See notes on copyright status for urtext editions
Misc. Notes This file does not include the editor's translation of the lyrics.
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Parts

Complete

⇒ 26 more: Flute 2 • Oboe 1 • Oboe 2 • Clarinet 1 • Clarinet 2 • Bassoon 1 • Bassoon 2 • Horn 1 • Horn 2 • Horn 3 • Horn 4 • Trumpet 1 • Trumpet 2 • Trombone 1 • Trombone 2 • Trombone 3 • Tuba • Timpani • Triangle/Tambourine/Castanets • Bass Drum • Harp • Violins I • Violins II • Violas • Cellos • Basses

Publisher. Info. Milan: Ricordi, n.d. Plate 21334-21350.
Reprinted New York: E.F. Kalmus, n.d.(1933–70). Catalog A2341.
Copyright
Public Domain
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Banda
Publisher. Info. Milan: Ricordi, n.d.
Reprinted New York: E.F. Kalmus, n.d.(1933–70). Catalog A2341.
Copyright
Public Domain
Misc. Notes *Missing piccolo part.
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Selections

Publisher. Info. Milan: Ricordi, n.d. Plate E. R. 2724.
Copyright
Public Domain
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Libiamo ne' lieti calici (Brindisi) (Act I, No.3)

 Complete Parts
#239679 - 11.03MB, 119 pp. -  5.9047619047619/10 2 4 6 8 10 (21) - V/V/V - 23686×⇩ - Pabag

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Pabag (2012/7/1)

Publisher. Info. Manuscript, n.d.
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Public Domain
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 Flute, Piccolo (EU)
#907387 - 0.27MB, 4 pp. -  9/10 2 4 6 8 10 (2) - C*/N*/V* - 1172×⇩ - Feduol

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Feduol (2024/4/1)

⇒ 14 more: Oboe 1, 2 • Clarinet 1, 2 (B♭) • Bassoon 1, 2 • Horn 1, 2, 3, 4 (F) • Trumpet 1, 2 (B♭) • Trombone 1, 2, 3 • Tuba • Timpani • Percussion • Violins I • Violins II • Violas • Cellos • Basses

 Oboe 1, 2 (EU)
#907388 - 0.27MB, 4 pp. -  10/10 2 4 6 8 10 (1) - C*/N*/V* - 373×⇩ - Feduol

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Feduol (2024/4/1)

 Clarinet 1, 2 (B♭) (EU)
#907389 - 0.29MB, 4 pp. -  0/10 2 4 6 8 10 (0) - C*/N*/V* - 613×⇩ - Feduol

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Feduol (2024/4/1)

 Bassoon 1, 2 (EU)
#907390 - 0.25MB, 4 pp. -  0/10 2 4 6 8 10 (0) - C*/N*/V* - 343×⇩ - Feduol

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Feduol (2024/4/1)

 Horn 1, 2, 3, 4 (F) (EU)
#907391 - 0.37MB, 8 pp. -  0/10 2 4 6 8 10 (0) - C*/N*/V* - 394×⇩ - Feduol

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Feduol (2024/4/1)

 Trumpet 1, 2 (B♭) (EU)
#907392 - 0.16MB, 2 pp. -  0/10 2 4 6 8 10 (0) - C*/N*/V* - 437×⇩ - Feduol

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Feduol (2024/4/1)

 Trombone 1, 2, 3 (EU)
#907393 - 0.25MB, 4 pp. -  0/10 2 4 6 8 10 (0) - C*/N*/V* - 377×⇩ - Feduol

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Feduol (2024/4/1)

 Tuba (EU)
#907394 - 0.10MB, 2 pp. -  0/10 2 4 6 8 10 (0) - C*/N*/V* - 265×⇩ - Feduol

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Feduol (2024/4/1)

 Timpani (EU)
#907395 - 0.08MB, 2 pp. -  0/10 2 4 6 8 10 (0) - C*/N*/V* - 330×⇩ - Feduol

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Feduol (2024/4/1)

 Percussion (EU)
#907396 - 0.05MB, 1 pp. -  10/10 2 4 6 8 10 (1) - C*/N*/V* - 426×⇩ - Feduol

PDF scanned by Unknown
Feduol (2024/4/1)

 Violins I (EU)
#907397 - 0.17MB, 2 pp. -  0/10 2 4 6 8 10 (0) - C*/N*/V* - 750×⇩ - Feduol

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Feduol (2024/4/1)

 Violins II (EU)
#907398 - 0.18MB, 2 pp. -  0/10 2 4 6 8 10 (0) - C*/N*/V* - 499×⇩ - Feduol

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Feduol (2024/4/1)

 Violas (EU)
#907399 - 0.15MB, 2 pp. -  0/10 2 4 6 8 10 (0) - C*/N*/V* - 456×⇩ - Feduol

PDF scanned by Unknown
Feduol (2024/4/1)

 Cellos (EU)
#907400 - 0.16MB, 2 pp. -  0/10 2 4 6 8 10 (0) - C*/N*/V* - 485×⇩ - Feduol

PDF scanned by Unknown
Feduol (2024/4/1)

 Basses (EU)
#907401 - 0.14MB, 2 pp. -  0/10 2 4 6 8 10 (0) - C*/N*/V* - 407×⇩ - Feduol

PDF scanned by Unknown
Feduol (2024/4/1)

Editor John Rutter (b. 1945)
Publisher. Info. Oxford Choral Classics: Opera Choruses, No.22
London: Oxford University Press, 1995.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Public Domain - See notes on copyright status for urtext editions
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 Complete Parts
#254225 - 0.73MB, 36 pp. -  6/10 2 4 6 8 10 (14) - !N/!N/!N - 30702×⇩ - Pabag

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Pabag (2012/10/11)

Editor Pabag
Publisher. Info. Pabag
Copyright
Creative Commons Attribution 3.0
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Di Madride noi siam mattadori (Act II, No.13)

 Flute, Piccolo (EU)
#907422 - 0.40MB, 6 pp. -  0/10 2 4 6 8 10 (0) - C*/N*/V* - 781×⇩ - Feduol

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Feduol (2024/4/1)

⇒ 14 more: Oboe 1, 2 • Clarinet 1, 2 (B♭) • Bassoon 1, 2 • Horn 1, 2, 3, 4 (F) • Trumpet 1, 2 (C) • Trombone 1, 2, 3/Bass trombone • Tuba • Timpani • Percussion • Violins I • Violins II • Violas • Cellos • Basses

 Oboe 1, 2 (EU)
#907423 - 0.37MB, 5 pp. -  0/10 2 4 6 8 10 (0) - C*/N*/V* - 70×⇩ - Feduol

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Feduol (2024/4/1)

 Clarinet 1, 2 (B♭) (EU)
#907424 - 0.40MB, 6 pp. -  0/10 2 4 6 8 10 (0) - C*/N*/V* - 124×⇩ - Feduol

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Feduol (2024/4/1)

 Bassoon 1, 2 (EU)
#907425 - 0.27MB, 4 pp. -  0/10 2 4 6 8 10 (0) - C*/N*/V* - 66×⇩ - Feduol

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Feduol (2024/4/1)

 Horn 1, 2, 3, 4 (F) (EU)
#907426 - 0.48MB, 8 pp. -  0/10 2 4 6 8 10 (0) - C*/N*/V* - 71×⇩ - Feduol

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Feduol (2024/4/1)

 Trumpet 1, 2 (C) (EU)
#907427 - 0.20MB, 4 pp. -  0/10 2 4 6 8 10 (0) - C*/N*/V* - 106×⇩ - Feduol

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Feduol (2024/4/1)

 Trombone 1, 2, 3/Bass trombone (EU)
#907428 - 0.31MB, 6 pp. -  0/10 2 4 6 8 10 (0) - C*/N*/V* - 77×⇩ - Feduol

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Feduol (2024/4/1)

 Tuba (EU)
#907429 - 0.10MB, 2 pp. -  0/10 2 4 6 8 10 (0) - C*/N*/V* - 59×⇩ - Feduol

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Feduol (2024/4/1)

 Timpani (EU)
#907430 - 0.10MB, 2 pp. -  0/10 2 4 6 8 10 (0) - C*/N*/V* - 73×⇩ - Feduol

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Feduol (2024/4/1)

 Percussion (EU)
#907431 - 0.23MB, 5 pp. -  0/10 2 4 6 8 10 (0) - C*/N*/V* - 111×⇩ - Feduol

PDF scanned by Unknown
Feduol (2024/4/1)

 Violins I (EU)
#907432 - 0.25MB, 3 pp. -  0/10 2 4 6 8 10 (0) - C*/N*/V* - 123×⇩ - Feduol

PDF scanned by Unknown
Feduol (2024/4/1)

 Violins II (EU)
#907433 - 0.25MB, 3 pp. -  0/10 2 4 6 8 10 (0) - C/N*/V* - 92×⇩ - Feduol

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Feduol (2024/4/1)

 Violas (EU)
#907434 - 0.18MB, 3 pp. -  0/10 2 4 6 8 10 (0) - C/N*/V* - 72×⇩ - Feduol

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Feduol (2024/4/1)

 Cellos (EU)
#907435 - 0.17MB, 3 pp. -  0/10 2 4 6 8 10 (0) - C/N*/V* - 89×⇩ - Feduol

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Feduol (2024/4/1)

 Basses (EU)
#907436 - 0.17MB, 3 pp. -  0/10 2 4 6 8 10 (0) - C*/N*/V* - 81×⇩ - Feduol

PDF scanned by Unknown
Feduol (2024/4/1)

Editor John Rutter (b. 1945)
Publisher. Info. Oxford Choral Classics: Opera Choruses, No.25
London: Oxford University Press, 1995.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Public Domain - See notes on copyright status for urtext editions
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Vocal Scores

Complete

Arranger Luigi Truzzi (1799–1864)
Emanuele Muzio (1825–1890), piano reduction
Language Italian
Publisher. Info. Paris: Léon Escudier, n.d.[1855]. Plate L.E. 1519.
Copyright
Public Domain
Misc. Notes Hopkinson 55-Bh
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Arranger Luigi Truzzi (1799–1864)
Emanuele Muzio (1825–1890), piano reduction
Language Italian / German
Publisher. Info. Leipzig: Friedrich Hofmeister, n.d.[1860]. Plate 3463.
Copyright
Public Domain
Misc. Notes Hopkinson 55-Bdd. Missing pages 106-107.
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Arranger Luigi Truzzi (1799–1864)
Emanuele Muzio (1825–1890), piano reduction
Language Italian
Publisher. Info. Milan: R. Stabilimento Tito di Gio. Ricordi, n.d.[1868]. Plate 25121, 25092-109.
Copyright
Public Domain
Misc. Notes Hopkinson 55-Bq
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Arranger Luigi Truzzi (1799–1864)
Emanuele Muzio (1825–1890), piano reduction
Editor Tito Pagliardini (1817-ca.1890)
Language Italian
Publisher. Info. Milan: Ricordi, n.d.(ca.1883). Plate 42314.
Copyright
Public Domain
Misc. Notes #392068: This file is part of the Sibley Mirroring Project.
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Arranger Luigi Truzzi (1799–1864)
Emanuele Muzio (1825–1890), piano reduction
Editor Édouard Mangin (1837–1907)
Language French
Translator Édouard Duprez (1804–1879), French text
Publisher. Info. Paris: Léon Escudier, n.d.[1864]. Plate L.E. 1971.
Reprinted Paris: Benoit ainé, n.d.(ca.1886). Plate B.a. 1971
Copyright
Public Domain
Misc. Notes Hopkinson 55-Ca
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Arranger Berthold Tours (1838–1897), piano reduction
Editor Henry Edward Krehbiel (1854–1923), introduction
Language Italian / English
Translator Natalia Macfarren (1827–1916), English text
Publisher. Info. New York: G. Schirmer, 1899. Plate 14400.
Copyright
Public Domain
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 Complete Score
#425460 - 18.92MB, 310 pp. -  0/10 2 4 6 8 10 (0) - C/C/C - 159×⇩ - Ilynov

PDF scanned by Ilynov
Ilynov (2016/6/5)

Language Russian / Italian
Publisher. Info. Moscow: Muzyka, 1983. Plate 12098.
Copyright
Public Domain
Misc. Notes Appears to be an update of the translation used by Jurgenson in the 19th century.
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Selections

Publisher. Info. Paris: R. Deiss, n.d. Plate R.D. 2084.
Copyright
Public Domain
Misc. Notes From the uploader's family archives.
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Publisher. Info. Celebri arie d'opera per canto e piaforte - Soprano (pp.38-42)
Milan: Ricordi, 1946. Plate 127533.
Copyright
Public Domain
Misc. Notes 600 dpi.
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 18. Duet: Parigi, o cara
#440203 - 0.12MB, 12 pp. -  3.3333333333333/10 2 4 6 8 10 (3) - !N/!N/!N - 5824×⇩ - Rah9639

PDF typeset by editor
Rah9639 (2016/9/22)

Arranger John Rogers Thomas (1830–1896)
Editor Robert A. Hudson
Publisher. Info. Robert A. Hudson
Copyright
Creative Commons Attribution 4.0
Misc. Notes Original at US-Wc
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Publisher. Info. O Brasil Musical, No.190
Rio de Janeiro: Filippone e Tornaghi, n.d. Plate 819.
Copyright
Public Domain
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Publisher. Info. O Brazil Musical, No.192
Rio de Janeiro: Filippone e Tornaghi, n.d. Plate 821.
Copyright
Public Domain
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Editor Agnes Landon (fl. 1855-1857)
Language Italian / English
Publisher. Info. Vocal Beauties of 'La Traviata' by Verdi, No.11
Boston: Oliver Ditson & Co., 1857. Plate 14202.
Copyright
Public Domain
Misc. Notes This file is part of the Submission Project.
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Language Italian / English
Publisher. Info. Vocal Beauties of 'La Traviata' by Verdi, No.2
Boston: Oliver Diston & Co., 1857. Plate 8729.
Copyright
Public Domain
Misc. Notes This file is part of the Submission Project.
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Language Italian / English
Publisher. Info. The Vocal Beauties of 'La Traviata, No.4
New York: Firth, Pond & Co., 1857. Plate 4090.
Copyright
Public Domain
Misc. Notes This file is part of the Submission Project.
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Publisher. Info. O Brasil Musical, No.204
Rio de Janeiro: Filippone e Tornaghi, n.d. Plate F. e T. 932.
Copyright
Public Domain
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Publisher. Info. O Brazil Musical, No.178
Rio de Janeiro: Filippone e Tornaghi, n.d. Plate 789.
Copyright
Public Domain
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Arrangements and Transcriptions

Complete

For Small Orchestra (Sasaki)

⇒ 13 more: Complete Parts • Flute (also Piccolo) • Oboe • Clarinet (A/B♭) • Bassoon • Horn 1 (F/E♭) • Horn 2 (F/E♭) • Violins I • Violins II • Violas • Cellos • Basses • Front matter

Arranger Osamu Sasaki
Publisher. Info. Yokohama: MAESTRO Inc
Copyright
Creative Commons Attribution-NonCommercial 4.0
Misc. Notes 15 players (strings 2-2-2-2-1)
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For 2 Violins (Melchiori)
Arranger Antonio Melchiori (1827–1897)
Publisher. Info. Milan: Ricordi, n.d.[1855]. Plate 27641-27649.
Copyright
Public Domain
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For Piano 4 hands

 Complete Score
#66914 - 9.48MB, 158 pp. -  5.4285714285714/10 2 4 6 8 10 (7) - V/V/V - 5827×⇩ - Morel

PDF scanned by US-R
Morel (2010/6/9)

Publisher. Info. Paris: Léon Escudier, n.d. Plate L.E. 1759.
Copyright
Public Domain
Misc. Notes This file is part of the Sibley Mirroring Project.
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For Violin (Melchiori)
Arranger Antonio Melchiori (1827–1897)
Publisher. Info. Milan: Ricordi, n.d.[1855]. Plate 27687–27689.
Copyright
Public Domain
Misc. Notes This arrangement replaces vocal parts. It can be played with a standard orchestral acompaniment parts or a normal piano reduction acompaniment part.
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For Piano (Toledo)
Arranger Nicolás Toledo (d.1881)
Publisher. Info. Madrid: Nueva biblioteca musical económica, No.21, n.d.
Copyright
Public Domain
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For Piano (Truzzi and Muzio)
Arranger Luigi Truzzi (1799–1864)
Emanuele Muzio (1825–1890), piano reduction
Publisher. Info. Milan: Ricordi, n.d.[1872]. Plate 42222.
Copyright
Public Domain
Misc. Notes This file is part of the University of Nebraska-Lincoln
Rokahr Family Archive Mirroring Project.
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Selections

For Piano (Müller)
Arranger Julius E. Müller (fl. 1844-1879)
Publisher. Info. Müller's Bijou of the Opera, No.27
Baltimore: Henry McCaffrey, 1863. Plate 701.
Copyright
Public Domain
Misc. Notes Dedicated to Jennie Bevan.
This file is part of the Submission Project.
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For Piano
Publisher. Info. Mainz: B. Schott's Söhne, n.d.(ca.1900). Plate 7938.
Copyright
Public Domain
Misc. Notes This file is part of the Sibley Mirroring Project.
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For Voices and Chamber Ensemble (James)

 Complete Score
#950631 - 1.13MB, 92 pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 127×⇩ - CAOSManchester

PDF typeset by arranger
CAOSManchester (2025/1/11)

Arranger Daniel Llewelyn James (b. 1981)
Publisher. Info. Daniel Llewelyn James, 2025.
Copyright
Creative Commons Attribution 4.0
Misc. Notes Orchestral parts adapted for 12 players (string quintet + wind quintet + piano + percussion). Selection consists of the Overture, Brindisi, Gypsies' and Matadors' choruses, and the aria "Addio del passato."
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For Guitar (Razzetti)
Arranger Benedetto Razzetti (1792–1892)
Publisher. Info. Milano: Ricordi, 1857. Plate L. 29397 L.
Copyright
Public Domain
Misc. Notes Razzetti gave his Op.47 to this Arrangement.
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Ouverture

For Horn, Trumpet and Euphonium (Messerschmidt)
Arranger Hans Jorgen Messerschmidt (b. 1944)
Publisher. Info. Hans Jorgen Messerschmidt, 2018.
Copyright
Creative Commons Attribution 4.0
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Prelude (Act I)

For Wind Band (Marras)
Arranger Giovanni Marras
Publisher. Info. Giovanni Marras
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Public Domain (dedicated)
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For 12 Cellos (Ohashi)

 Complete Score and Parts
#85054 - 0.20MB, 11 pp. -  5/10 2 4 6 8 10 (8) - !N/!N/!N - 7310×⇩ - Ohashi Akira

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Arranger Akira Ohashi
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Brindisi: Libiamo ne' lieti calici (Act I, No.3)

For Soprano, Tenor and Wind Band (Peláez Vilanova)

 Complete Score
#948961 - 5.36MB, 24 pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 91×⇩ - Juan José Peláe...

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Juan José Peláe... (2025/1/4)

Arranger Juan José Peláez Vilanova (b. 1978)
Publisher. Info. Juan José Peláez Vilanova, 2023.
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For Cello and Piano (Cellofun.eu)
Arranger Cellofun.eu
Publisher. Info. Cellofun.eu
Copyright
Public Domain (dedicated)
Misc. Notes For best results print on A4 paper with no margins. This version has fingering and bowing suggestions. For a clean part, an easier version, or a play-along audio accompaniment (all free), go to cellofun.eu
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Aria: Ah! forse è lui che l'anima (Act I, No.6)

For Piano
Arranger Unknown
Publisher. Info. O Brasil Musical, No.183
Rio de Janeiro: Filippone & Cia., n.d. Plate 792.
Copyright
Public Domain
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Di Provenza il mar, il suol (Act II, No.1)

For 2 Guitars (Santisteban)
Arranger G. C. Santisteban (1866–1919)
Publisher. Info. Unidentified publisher, n.d. Plate 65903-113.
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Misc. Notes From C. C. Easley Microfilm Scores Collection
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Scena ed Aria: De miei bollenti spiriti (Act II, No.7)

For Piano
Arranger Unknown
Publisher. Info. O Brasil Musical, No.187
Rio de Janeiro: Filippone e Tornaghi, n.d. Plate 820.
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Chorus of Gypsies: Noi siamo Zingarelle (Act II, No.12)

For Wind Band (Marras)
Arranger Giovanni Marras
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For 2 String Orchestras (Zehar)

 Orchestra 1
#578393 - 0.07MB, 1 pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 354×⇩ - Uranux

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 Orchestra 2
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Arranger Farid Zehar
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For Junior String Orchestra (Zehar)

 String accompaniment
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Arranger Farid Zehar
Publisher. Info. Farid Zehar, 2019.
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Misc. Notes The 2 Female Chorus Voices have to be added & played the Piano (for example)
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Aria: Addio del passato (Act III, No.16)

For Soprano, Flute, Oboe, Clarinet, Bassoon and Horn (Falloni)

 Complete Score and Parts
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teofh (2012/6/28)

Arranger Matteo Falloni
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For 7-String Guitar (Morkov)
Arranger Vladimir Morkov (1801–1864)
Publisher. Info. Moscow: Gutheil, n.d. Plate A. 3170 G.
Copyright
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Misc. Notes from Matanya Ophee Collection
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Arranger Vladimir Morkov (1801–1864)
Publisher. Info. Moscow: Muzgiz, 1958. Plate 27285.
Copyright
Public Domain
Misc. Notes excerpt from the magazine 'Library Guitarist' 1958 No.66
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Libretti

Language Italian / English
Publisher. Info. Boston: O. Ditson & Co., 1859.
Copyright
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Misc. Notes This file is part of the Sibley Mirroring Project.
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Parigi, o cara, noi lasceremo (Act III, No.18a)

For Flute [and Piano?]

 Extract
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Feduol (2024/8/10)

Arranger Unknown
Copyist William Harnett (1848–1892)
Publisher. Info. Music and Literature
Oil on canvas, 1878.
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Misc. Notes RIdIM 5395
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General Information

Work Title La traviata
Alternative. Title The Fallen Woman
Name Translations 茶花女; La Traviata; 라 트라비아타; לה טרוויאטה; Traviata; [14 more...]椿姫; Τραβιάτα; Травиата; Տրավիատա; Travijata; Травијата; ลา ทราวิอาทา; Травіата; Травіята; لا تراویاتا; لا ترافياتا; Լա Թրավիաթա; 茶花女 (歌劇); လာ တြာဗီအာတာ
Name Aliases 阿弗雷多·傑爾蒙; 춘희; 라트라비아타; לה טראוויאטה; La Traviatta; [7 more...]ラ・トラヴィアータ; Den vilseförda; La traviatta; ลาตราวิอาตา; ลาทราวิอาทา; Violetta; A tévedt nő
Authorities WorldCat; Wikipedia; VIAF: 179786767; LCCN: n80138517; GND: 300166400; [2 more...]SUDOC: 029403723; BNF: 13920589h
Composer Verdi, Giuseppe
Internal Reference NumberInternal Ref. No. IGV 30
Movements/SectionsMov'ts/Sec's 3 acts [more...]
▪ Act I
1. Preludio
2. Dell'invito trascorsa è già l'ora
3. Libiamo ne' lieti calici
4a. Che è ciò?
4b. Un dì, felice, eterea
5. Si ridesta in ciel l'aurora
6a. Ah, fors'è lui che l'anima
6b. Sempre libera degg'io
▪ Act II
7a. De' miei bollenti spiriti
7b. Annina, donde vieni?
7c. Oh mio rimorso!
8a. Pura siccome un angelo
8b. Non sapete quale affetto
8c. Dite alla giovine sì bella e pura
8d. Morrò!… la mia memoria
9. Dammi tu forza, o cielo!
10. Di Provenza il mare, il suol
11. Avrem lieta di maschere la notte
12. Noi siamo zingarelle
13. Di Madride noi siam mattadori
14a. Alfredo! Voi!
14b. Oh, infamia orribile
15. Di sprezzo degno se stesso rende
▪ Act III
16. Addio del passato
17. Largo al quadrupede
18a. Parigi, o cara, noi lasceremo
18b. Gran Dio!… morir sì giovine
19. Prendi, quest'è l’immagine
Year/Date of CompositionY/D of Comp. 1853, revised 1854, 1864
First Performance. 1853-03-06 in Venice, Teatro La Fenice
First Publication. 1853 - Milan: Ricordi, Plates 25092-25109 (vocal score)
Librettist Francesco Maria Piave (1810–1876)
after La dame aux Camélias (1852)
Language Italian
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation voices, chorus, orchestra
InstrDetail [more...]
Cast
Violetta Valéry (soprano)
Flora Bervoix (mezzo-soprano)
Annina (mezzo-soprano)
Alfredo Germont (tenor)
Giorgio Germont, suo padre (baritone)
Gastone, Visconte de Letorières (tenor)
Barone Douphol (baritone)
Marchese d'Obigny (bass)
Dottore Grenvil (basso profondo)
Giuseppe, servo di Violetta (tenor)
Domestico di Flora (corifeo basso)
Commissionario (corifeo basso)

Mixed Chorus (SATB)

Signori e Signore amici di Violetta e Flora, Matadori, Piccadori,
Zingari, Servi di Violetta e di Flora, Maschere

Orchestra

2 flutes (2nd also piccolo), 2 oboes, 2 clarinets, 2 bassoons
4 horns, 2 trumpets, 3 trombones, tuba
timpani, triangle, tambourine, castanets, bass drum, harp, strings
Related Works Pieces based on 'La traviata'
Discography Wikipedia discography
CLOR
MusicBrainz
Authorities Wikidata
External Links Wikipedia article
Opera Guide
Synopsis (English)
Libretto (original language)
Aria-database.com
Extra Information The revised version (1854) is the standard one performed. The 1864 Paris version set in 4 acts and retitled as "Violetta" was approved by Verdi, who did not attend the performance.

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