Composers

Giovanni Paolo Cima

Voice
Soprano
Bass
Tenor
Alto
Organ
Violone
Violin
Harpsichord
Cornett
Motet
Canzona
Religious music
Sonata
Magnificat
Vesper
Mass
Bicinia
Capriccio
Chant
by popularity

A

Ad te desideratAdiuro vos, filiae HierusalemArdens estAssumpta est Maria

B

Beata es Virgo MariaBeatiBenedicam DominumBicinium No.34

C

Cantantibus organisCantate DominoCanzon 1 'La Morasa'Canzon 10Canzon 12 'La Doppia'Canzon 13Canzon 14Canzon 15 'La Scabrosa'Canzon 16 'La Novella'Canzon 2 'La Valeria'Canzon 3 'La Gentile'Canzon 4 'La Pace'Canzon 5 'La Curta'Canzon 6 'La Vaga'Canzon 9 'La Gratiosa'CapriccioConcerti EcclesiasticiConfiteborConfitemini DominoCor mundum

E

Ecce MariaEgrediamurExaudi DeusExaudi Domine

F

Falsa BordoniFratres quid nam videmus

G

Gaudeamus omnes in DominoGustate et videte

H

Haec diesHodie Christus natus est

I

Iubilate DeoIustus ut palma florebit

L

Laudate Dominum

M

Magnificat Quinti ToniMagnificat Sesti ToniMessaMirabile mysteriumMisericordias tuas

N

Nativitas tua Dei genitrixNon turbetur

O

O altitudo divitiarumO DomineO dulcedo melifluaO SacrumO vos omnesOrnaverunt

Q

Quae est illaQuam pulchra es

R

Ricercare per Organo

S

Sonata à 4Sonata for Cornetto and TromboneSonata for Violin and VioloneSonata for Violin, Cornetto and VioloneSurge propera

V

Veni sponsa ChristiVidi speciosamVox dilecti meiVulnerasti cor meum
Wikipedia
Giovanni Paolo Cima (c. 1570 – 1630) was an Italian composer and organist in the early Baroque era. He was a contemporary of Claudio Monteverdi and Girolamo Frescobaldi, though not as well known (then or now) as either of those men.
Cima came from a family of musicians and was a leading musical figure in Milan. From 1595 he served as director of music and organist at the chapel of Santa Maria presso San Celso in Milan. His Concerti ecclesiastici, a collection which also includes a mass, two Magnificat settings, and six sonatas for 2, 3, and 4 instruments, were published in 1610 (Roche and Tibaldi 2001).
Cima's church music was generally conservative, but his instrumental works were more innovative. His importance lies primarily in being the first composer to publish a trio sonata (for violin, cornett, and basso continuo), in his 1610 collection. It is a single-movement, through-composed work displaying thematic integration and virtuosic display (Roche and Tibaldi 2001).
Cima died in Milan during the plague of 1630, at about the age of 60 (Roche and Tibaldi 2001). His son Giovanni Battista Cima is not to be confused with the painter Giovanni Battista Cima, called Cima da Conegliano, who was no relation.