Ludwig Senfl
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2 Marian Motets50 Selected Lieder8 MagnificatsA
Ach Elslein IAch Elslein IIAch Jupiter hätt'st du GewaltAch Maidlein rein ich hab alleinAlles regresAlso heilig ist der TagAsperges meAus gutem GrundB
Beati omnes qui timent IBeati omnes qui timent IIC
Carmen in laCarmen in reCarmen LamentacioChrist der ist erstandenChriste qui lux esCollegerunt PontificesCum egrotasset Iob fleuitD
Da Jakob nu das Kleid ansahDas Glaut zu SpeyerDe profundisDer ehlich Stand ist billig g'nanntDeus in adiutorium IDeus in adiutorium IIDich meiden zwingtDie Brünnlein, die da fließen IDie Brünnlein, die da fließen IIDort oben auf dem BergeE
E schön und zart, von edler ArtEcce quam bonumEgo ipse consolabor vosEin Abt den wöll wir weihenEin alt bös Weib, runzelt am LeibEin Jungfrau mir gefallen thätEin meidlein zu dem brunnen gingElend bringt Pein dem Herzen meinEntlaubet ist der WaldeEs het ein biderman ein weibEs ist nit alles GoldeEs jagt ein Jäger g'schwinde dortEs taget vor dem WaldeEs taget vor dem Walde/Fortuna desperataEs wolt ein fraw zum weine ganEwiger Gott, aus des GebotF
FantasiaFortuna ad voces musicalesFortuna Nasci pati moriFreundlicher Held, ich hab erwähltG
Gar oft sich schickt, dasz eim gelücktGelobet seist du, ChristeGottes Gewalt, Kraft und auch MachtH
Hans Beutler der wollt reiten ausHat uns der Teufel gen Teiningen brachtI
Ich armes Keuzlein kleineIch armes Meidlein klag mich sehrIch hab mich redlich ghaltenIch hat ein newe sach auf dratIch hätt mir ein Endlein fürgenommenIch kenn des Klaffers EigenschaftIch klag den Tag und alle StundIch sag und clagIch scheid dahinIch schell mein HornIch soll und musz ein Bulen habenIch stund an einem MorgenIch stund an einem morgen I à 4Ich weiss nit, was er ihr verhiessIch weisz ein stolze MullerinIch will mich Glücks betragenIm meyen hört man die hanen kreenJ
Jetz schayden pringt mir schwerJetzt bringt Sanct Martin Gsellschaft vielJetzt merk ich wol, dasz ich mich soll zum GlückJetzt Scheiden bringt mir SchwerK
Kain sach mir nye auff erdenKein Adler in der Welt so schönKein Höhers lebt, noch schwebtKlein ist mein Trost auf dieser ErdKönnt ich, schön reines werthes WeibL
Laudate Dominum omnes gentesLieb, üb dein Heil! eil!Ludwig Senfls WerkeLust hab ich ghabt zur musicaM
Man sing, man sag, hab Freud all TagMan spricht was Gott zussammenfügtMaria zart - Maria, du bist genadenvollMein freundlichs BMir ist ein rot GoldfingerleinMissa dominicalis L'homme arméMissa paschalisMissa super Nisi DominusMit Lust thät ich ausreitenMit Lust trit ich an diesen TanzN
Ne reminiscaris domineNisi DominusNon moriarO
O allmächtiger Gott, dich lobt der Christen RottO du armer JudasO Elslein, liebstes Elselein meinO Herr, ich klagO Herr, ich ruf dein Namen anO Herre Gott, begnade michO ho! So geb der Mann ein PfenningOb glück hat neydOmnes gentesP
PatientiaPatris etiam insonuitQ
Quinque Salutationes Domini nostri Hiesu ChristiQuis dabit oculisQuomodo fiet istudR
Rosina, wo was dein GestaltS
Sancte paterSo ich Herzlieb nun von dir scheidSo man lang macht, betracht und achtT
Tag und auch NachtTag, Zeit noch StundTheur, hoch erleucht sein NamU
Unseglich schmertz entpfindt meinUsquequo DomineV
Vergebens ist all Müh und KostVirga Jesse floruitVor Leid und SchmerzW
Wann ich lang such der Gsellschaft vielWer diser zeit sein sach in dweitWie das Glück will, bin ich im SpielWie ist dein TrostWiewol viel herter Orden sind a 4Wiewol viel herter Orden sind a 5Wiewol viel herter Orden sind a 6WikipediaLudwig Senfl (born around 1486, died between December 2, 1542 and August 10, 1543) was a Swiss composer of the Renaissance, active in Germany. He was the most famous pupil of
Heinrich Isaac, was music director to the court of Maximilian I, Holy Roman Emperor, and was an influential figure in the development of the Franco-Flemish polyphonic style in Germany.
Senfl was probably born in Basel around 1486, and lived in Zürich from 1488 until 1496, when he joined the choir of the Hofkapelle of Emperor Maximilian I in Augsburg. Apart from one brief visit in 1504 he appears never again to have lived in Switzerland.
In 1497 he followed the Hofkapelle to Vienna, and between 1500 and 1504 he probably studied in Vienna for three years, the standard practice for choirboys whose voices had broken, as part of the normal training for the priesthood. During this period he studied with
Heinrich Isaac, serving as his copyist by 1509; he is known to have copied much of the older composer's
Choralis Constantinus, an enormous work which he was later to complete after Isaac's death.
After a trip to Italy sometime between 1508 and 1510, Senfl returned to the Hofkapelle; the Emperor appointed him to fill Isaac's position as court composer when Isaac died in 1517. In 1518 Senfl lost a toe in a hunting accident; evidently the injury disabled him for up to a year. When the Emperor died in 1519, Senfl was out of a job, and his circumstances altered for the worse: Charles V dismissed most of Maximilian's musicians, and even refused to pay Senfl the annual stipend which had been promised to him in the event of the emperor's death. During the next few years he traveled widely, mainly job-seeking, but he was also active as a composer. He is known to have attended the Diet of Worms in 1521, and, while he never officially became a Protestant, his sympathies evidently were with
Luther, and he was later examined by the Inquisition and voluntarily gave up his priesthood. Senfl carried on an extensive correspondence both with Lutheran Duke Albrecht of Prussia and with
Martin Luther himself, beginning in 1530.
Eventually Senfl acquired a post in Munich, a place which had high musical standards, a strong need for new music, and which was relatively tolerant of those with Protestant sympathies; he was to remain there for the rest of his life. By 1540 he was ill, judging from his correspondence with Duke Albrecht, and he probably died in early 1543.
Senfl was an eclectic composer, at home both in the worlds of sacred and secular music, and he modeled his style carefully on models provided by the Franco-Flemish composers of the previous generation, especially
Josquin des Prez. In particular, he was a gifted melodist, and his lines are warmly lyrical; his music remained popular and influential in Germany through the 17th century.
His sacred music includes masses, motets, vespers settings, and a Magnificat. Technically his music has many archaic features, such as the use of cantus firmus technique, which was more in vogue in the 15th century; he even occasionally employs isorhythm. However he also has a typically Germanic liking for singable melodic passages in parallel imperfect intervals (3rds and 6ths).
Senfl also wrote numerous German lieder, most of them secular (the handful on sacred texts were written for Duke Albrecht of Prussia). They vary widely in character, from extremely simple settings of a cantus firmus to contrapuntal tours-de-force such as elaborate canons and quodlibets.