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In Other Words

Spartiti

Originale: William Byrd. some solemne, other joyfull, framed to the life of the Words. In Winter cold. In Crystal Towers.

Traduzione: It has been suggested that viol-playing came once more into fashion in the early years of the seventeenth century. e 6.

Spartiti

Originale: Missa Fons bonitatis. The time signatures, notes' values and colourings are as in the manuscript. Anonymous. A cappella. Language.

Traduzione: In the Sanctus the notes after the number “3” are in “proportio sesquialtera”. Anonimo. A Cappella. Sacred, Mass. Lingua. ATB.

Spartiti

Originale: Behold that splendour. , with the words of verses 2-4 on p164. the other two are Th'Eternal speaks. hear the shout. 886. 886.

Traduzione: ascoltare il grido. William Knapp. A Cappella. Sacro, Carol Meter. Lingua.

Spartiti

Originale: Echo. In this piece, the synthesizer fulfils multiple musical elements that are often not present and.

Traduzione: or difficult to achieve in many choral settings, especially middle schools and smaller high schools.

Spartiti

Originale: Sacros deseos. The word "Estribillo". , although there is no other indication to that effect in the score. Language.

Traduzione: José Torres. Mixed ensemble including basso continuo. Sacred, Responsorio. Lingua. Spagnolo. SSAT.SATB. 8 Part responsories. astenersi.

Spartiti

Originale: The day delayed of that I most do wish. None, but may have been intended that the parts other than the first tenor. Richard Edwards.

Traduzione: From an anonymous manuscript in the library of Christ Church, Oxford. and possibly the soprano. should be used for accompaniment.

Spartiti

Originale: Diffusa est gratia. Manuscript, including this score, published in facsimile by Consejo Superior de Investigaciones Cientificas.

Traduzione: Manoscritto, tra cui questo punteggio, pubblicata in facsimile dal Consejo Superior de Investigaciones Cientificas. Francisco Valls.

Spartiti

Originale: Hymns and Worship Songs. Father who in Christ. We believe in God the Father. Father in your holiness. John Earwaker.

Traduzione: In the mercy of God.. Organo. Sacred, Hymn. Lingua. Inglese.

Spartiti

Originale: Come, Holy Ghost. three times in the minor key, the last in a major alternative. Mark Liversidge. A cappella. Language.

Traduzione: Vieni, Spirito Santo. It should be sung at an unhurried pace, and in the 46. A Cappella. Sacred , Anthem suitable for Pentecost.

Spartiti

Originale: Anima mea liquefacta est. Cabilliau. A cappella. Sacred , Motet. Language. Latin. ATTTB.

Traduzione: although not so designated in the source, which provides no clue other than the repeat sign and the part's brevity. Lingua.

Spartiti

Originale: Matona mia cara. This fact is given very well in the lyrics, which resemble exactly a strong German accent. Orlando di Lasso.

Traduzione: even in modern Italian. The text has many double meanings, extremely difficult to transpose into other languages. A Cappella.

Spartiti

Originale: The Mona Lisa. In setting Leanne’s poem I have tried to create a dream-like texture. Michael Winikoff. A cappella.

Traduzione: In places the texture vanishes to capture the solitude and loneliness. The piece ends with a sad fade on the final word.

Spartiti

Originale: Crescite vero in gratia. the words from any other bible version or language could be substituted. John Kilpatrick.

Traduzione: , or as an ending piece for a concert on that day, or for any other relevant purpose in connection with St Peter. Lingua.

Spartiti

Originale: Fanfare and Grace for St Peter's Day. the words from any other bible version or language could be substituted. Language.

Traduzione: , or for a concert on that day, or for any other relevant purpose in connection with St Peter. Crescite vero in gratia.

Spartiti

Originale: Magnificat a 8 con violines. 2 violins in unison, continuo and organ. in. albeit in the same handwriting.

Traduzione: Organ part may have been added by someone other than the composer. The value of the notes in Gloria section has been halved.

Spartiti

Originale: Pittston. Published in The Worcester Collection , Sixth Edition, 1797, p. Words by Isaac Watts , his paraphrase of Psalm 27.

Traduzione: other stanzas are inappropriate because of phrasing of the music. Supply Belcher. A Cappella. Sacro, Hymn Meter. 86. 86. CM. Lingua.

Spartiti

Originale: Pittston. Published in The Worcester Collection , Sixth Edition, 1797, p. Words by Isaac Watts , his paraphrase of Psalm 27.

Traduzione: other stanzas are inappropriate because of phrasing of the music. Supply Belcher. A Cappella. Sacro, Hymn Meter. 86. 86. CM. Lingua.

Spartiti

Originale: Let the words of my mouth. The parts should listen to and respond to each other and keep a musical flowing line. A cappella.

Traduzione: Lasciate che le parole della mia bocca. Un bel pezzo delicato per quei giorni in cui ci si sente un po 'dolce. Maggie Furtak. Lingua.

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In Other Words